![]() ![]() There are a couple of technologies that DP doesn’t currently support. (record buttons historically light up red) The program is also constantly recording audio and MIDI in the background (Retrospective recording–it can be disabled) for those moments of brilliance when you’re just noodling around and there’s no red light to be seen. A long look, because it’s not a program you can dive into and immediately grasp–or want to immediately dismiss.īeat and tempo detection MIDI grooves and humanize logical MIDI and time editing MIDI step recording extensive SMPTE/video with support for all the common frame rates as well as user-defined a spectrogram view for audio clips import/export of OMF, AAF, MIDI, MusicXML and DP projects for any version back to 3.1 and bouncing stems (entire audio tracks) to disk and CD. There’s still a ways to go on the latter, but if you’ve gone to sleep on DP, you should take another look. MOTU has been hard at work the last few years updating Digital Performer’s feature set and modernizing the interface and workflow. DP 11 is as powerful as any of its competitors, and it also features a unique modular approach to composition and project organization that makes it a particularly good fit for movie scoring and complex live shows. When users discuss the premier digital audio workstations (DAWs) on the market these days, the $499 Digital Performer 11-a former top dog-doesn’t always make the list. But it’s also complex with a steep learning curve. Digital Performer 11’s comprehensive feature set and unique modular organizational features make it great for film/game scoring and live multimedia events.
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